Causey Contemporary

Exhibition Details

Notes from the Dispatch Case

Edward Holland
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The Scales Verison 7

The Scales Verison 7

The Scales Version 8

The Scales Version 8

The Goat Version 5

The Goat Version 5

The Twins Version 7

The Twins Version 7

The Ram (Version 2)_ 2015

The Ram (Version 2), 2015

The Water Bearer Version 7

The Water Bearer Version 7

The Scorpion Version 2

The Scorpion Version 2

The Fish Verison 7

The Fish Verison 7

The Archer Version 7

The Archer Version 7

SOLD
The Crab Version 7

The Crab Version 7

The Crab Verision 8

The Crab Verision 8

The Bull Version 7

The Bull Version 7

The Lion Version 8

The Lion Version 8

The Archer Version 4

The Archer Version 4

The Virgin Version 7

The Virgin Version 7

The Goat Version 4

The Goat Version 4

The Ram Version 1

The Ram Version 1

The Scorpion Verision 1

The Scorpion Verision 1

The Virgin Version 8

The Virgin Version 8

The Lion Version 9

The Lion Version 9

Edward Holland’s “Notes from the Dispatch Case”  takes its name from an oblique reference to “the recognitions” by William Gaddis.   Edward had wanted to  build a body of work around Gaddis’s book but was unable to satisfy that need effectively enough so he shifted the focus to only one aspect ; mythology and meaming-making.  He arrived at the constellations of the zodiac as a visual intersection of the two and thus built the series around it.   Edward says he is drawn to the constellations of the zodiac and it’s related mythologies as obsolete systems for delivering information and meaning which he sees as a parallel to the romance of and ability of painting to create meaning whether openly, empirically or emotionally.

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